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WORDS > BIBLIOGRAPHY W/ LINKS
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Books and Catalogues |
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Damianovic, Maia. Minimal: Optimal, Elga Wimmer Gallery, January 1995. exhibition catalog. |
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Damianovic, Maia. Painting Outside Painting, The Corcoran Gallery of Art, Dec. 1995, pp. 54–55. Exhibition catalog illustrated. |
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Eshoo, Amy, 560 Broadway, A New York Drawing Collection at Work, 1991-2006, (2008) pp. 142, 145 Yale University Press. |
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French, Christopher. “Transparency & Shape: Clear Contradiction.” Elga Wimmer Gallery, April 1992. exhibition catalog. |
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Mattera, Joanne. The Art of Encaustic Painting (2001) pp.6,10,11,76,78,79,104,107,120. illustrated. WatsonGupthill. |
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Quasha, George. "boxed light bodies," Margaret Thatcher Projects, January 2006, exhibition essay. |
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Rankin, Lissa. Encaustic Art (2010) pp. 66-67. illustrated. Random House. |
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Rose, Barbara. “New York, New Generation” Pallazo Penna, Perugia, Italy. exhibition catalog. Sept. 1997. illustrated. |
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Schinsky, Bill. Current Minimalists: 38th Arts Festival of Atlanta Catalogue. Juror’s statement. June 1991, pp.7, 12 |
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Scott, Sue. “Daily Thoughts for Daily Needs,” Nohra Haime Gallery, Sept. 1995. exhibition catalogue. illustrated. |
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Stavitsky, Gail. “Waxing Poetic (Encaustic Art in America,)” The Montclair Art Museum May 23–Aug. 15,1999, Knoxville Museum of Art September 24, 1999-January 9, 2000, pp.47–48. exhibition catalog. illustrated. |
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Sultan, Terrie. “The Rapture of Materiality,” The Corcoran Gallery of Art Biennial Exhibition of American Painting, December 1995, pp.18–23. exhibition catalog. illustrated. |
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Wei, Lily. “Transparent Facade: From New York to Los Angeles,” Otis Gallery, Otis College of Art & Design, September, October 1999, exhibition catalog. illustrated. |
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Riley, Charles A. II. The Saints of Modern Art: The Ascetic Ideal in Contemporary Painting, Sculpture, Architecture, Music, Dance, Literature, and Philosophy (May 1998) pp. 115–116, 148. University Press of New England. |
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Articles and Reviews |
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Bergmann, Meredith. “Reviews in Brief: Heather Hutchison,” The New York Review of Art, May 1994, p. 17. |
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Chambers, Karen S. “ New York Letter, Exhibition Review,” Glassworks, July 1992, no. 12, pp. 43–44. |
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Dorsey, John . “Too much ‘different’ makes show uneven,” The Baltimore Sun , Jan.14, 1996, pp. 1K–2K. |
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Edwards, Nicole. “Marist College hosts national show,” Poughkeepsie Journal Nov. 10, 2000. |
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Frank, Peter. “Transparent Facade,” LA Weekly, October, 1999. |
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Goodman, Johnathon. “Painting Outside Painting (Exhibition review)” ARTnews. April 1996, p.138. |
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Gordon, Alice. “Playing with Tradition,” House Beautiful. October 1994, pp. 120-–121. illustrated. |
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Gragg, Randy. The Oregonian. November 23, 1990, pp. J1–J2. |
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Greben, Diedre Stein. “Exhibition Review,” Artnews, December 1997, volume 96, #11, p. 162. |
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Hirsch, Faye. “Exhibition review,” Print Collectors Newsletter, Sept.–Oct. 1992, p. 147. |
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Johnson, Ken. “Weekend, Art in Review,” The New York Times, March 14, 2003. |
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Johnson, Ken. “Art in Review,” The New York Times, August 14, 1998. |
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Knight, Christopher. “Light & Space Pieces-Coming From New York?,” Los Angeles Times, Sept. 16, 1999, pp. 52, 55–56. |
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Lewis, Jo Ann. “Painting Outside the Lines,” The Washington Post, December 23, 1995. pp.B1 & B5. illus. |
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Monzo, Chiara. “Quel brivido sottile dell’ arte,” La Nazione. (Umbria), September 3, 1997. |
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Moore, Cindy. "Capturing the Beast in the Beauty," NY ARTS, July/ August 2006, Vol. 11, No. 7/8, illustrated. |
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Morgan, Robert. “Three New York Reviews,” Lusty Mover, Fall 1992, p. 3. |
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Oisteanu, Valery. “Invitational ‘97,” NY ARTS MAGAZINE, #13 September 1997, p.35. illustrated. |
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Ostrow, Saul. “History Is Now,” The New Art Examiner, March 1996, pp.29–31. |
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Ponti, Carlo. “L’arte entra nella fossa dei serpenti,” Corriere, (Italy), August 19, 1997. |
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Shaw-Eagle, Joanna. “Painting Beyond Traditional Limits,” The Washington Times, December 24, 1995. |
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Slatin, Peter. “Intuitive Perception / Nohra Haime,” Artnews, May 1993, pp. 141. April 1994, pp. 101–102. illustrated. |
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Stein, Deidre. “Heather Hutchison Gravity and Light,” Artnews, April 1994, volume 93, #4, pp.101–102. illustrated. |
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Tolnick, Judith. “Unlocking the Grid (Concerning the Grid in Recent Painting),” University of Rhode Island, January 1999, exhibition essay. illustrated. |
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Upshaw, Regan. “New York Review,” Art in America, July 1994, p. 98. illustrated. |
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Wallis, Stephen. “Shows Not to Miss,” Art and Antiques, Jan. 1996. |
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Wright, Jeff. “Passages of Light,” Cover, October 1995, p. 10. illustrated. |
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Wright, Jeff. “Inviting Directions, Four Points at Knoedler & Co.,” Cover, 1997, Volume 11, #5, pp. 14–15. |
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Zimmer, William. “Wax as a Medium and a Message,” The New York Times, June 6, 1999. |
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